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Customer Reviews:
Total reviews: 107
Average rating: 3.5 of 5
A mix of insanely great and very solid episodes 5 out of 5 stars.
5 of 5 people found this review helpful.
The controversial eighth season of the X Files is remarkable in many ways. First of all, it's the only season in the series that doesn't have any real clunkers. But it also has a lot of merely solid episodes, ones that harken back to the earlier, more straight-forward sci-fi/horror stories. But on the other hand, it has some of the all time greatest episodes in the entire history of the program.
What distinguishes season 8 from other X Files seasons, besides the presence of new male lead Robert Patrick, is that was the first season since the fifth in which Chris Carter's attention was focused on the X Files itself. Season 4 and 6 he was working on Millenium, 7 he was working on the short-lived Harsh Realm (he didn't spend much time on the Lone Gunmen, which was more of a Frank Spotnitz/Vince Gilligan show). I always resented these other shows and saw them as unnecessary diversions on Carter's part, even though I've come to appreciate Millennium. There were a lot of great writers and directors that worked on the X Files- Glen Morgan and James Wong, Darin Morgan, Vince Gilligan, Frank Spotnitz- and many of them had better batting averages in regards to consistency. But none of them had the sheer madness, rage and intensity that Chris Carter made his calling card. Chris Carter's stories are distinguished by moments of extreme violence, bizarre, almost dream-like imagery, sharp twists in dialogue, and stomach-punching emotionalism. Seasoned X Files viewers can tell the difference between a Carter script and a Carter/Spotnitz script, and season 8 gives you 5 Carter solo pieces, more than any since the first season.
Season Eight also has the most developed and immediately accessible Mytharc episodes of the series as well. The storyline featuring Mulder's abduction, death and ressurrection as well as Scully's pregnancy is very focused, concise and emotionally powerful. Robert Patrick was an inspired choice for the new male lead (he was never meant to actually "replace" David Duchovny) and gives the peerless Gillian Anderson a run for her money, acting chops wise.
Hence the episodes Within/Without, Per Manum, This Is Not Happening, DeadAlive, Three Words, Essence and Existence rank up there with the very best of the X Files, and given the incredible scope and high production values they display, may very well be the best multi-episode arc in the show's long history. All these episodes are exciting and carthartic, are worth the price of the box set alone. These episodes form the equivalent of 4 feature length motion pictures and stand up beside anything Hollywood has to offer insofar as production quality and beat most recent features when it comes to acting.
If those episodes are the five-star episodes, there are also several four star offerings. Roadrunners, Invocation and Via Negativa are three amazingly powerful episodes, that miss the five star mark only because they are so dark and intense that they need David Duchovny's natural lightness and black humor to give them a bit of balance. But all three episodes make good use of Agent Doggett's character, particularly Invocation. If you are a parent, Invocation will stay with you for a very long time. Empedocles is of the same stock as these episodes and is elevated by Duchovny's wit and charm. However it is not their equal, story-wise. Neither are another two other Duchovny eps, Vienen and Alone.
The rest are servicable and worth at least one viewing. However they suffer iin comparison to the others in the season, especially in comparison with the Myth Arc. It's impossible to construct a season of television around the absence of your lead, and the X Files cannot be faulted for telling other types of stories. Hence Redrum,Patience, Surekill, Salvage, The Gift, Badlaa, and Medusa are all well crafted and worth a watch, but feel inconsequential in context. Medusa is the worst of the lot, and seems a lot of huffing and puffing about nothing.
But every season since the beginning was like that. In retrospect, it seems that the Mythology was the most substantial aspect of the series, especially when watched in sequence. As time goes by, the stand-alones seem less interesting and important to me. But they're still X Files episodes, which makes them better than most other shows on TV.
Editorial Review:
Studio: Tcfhe Release Date: 05/11/2004